SDL Moon Like Shadow

Browse on DeviantArt

This collection, PowerPoint InkScape – Moon Like Shadows, is a deliberate study in kitsch management, a term I use to describe the transformation of a familiar, even overused motif into a coherent aesthetic logic. More or less the same old, typical torn motif is used in an own line of reasoning where it generates an own context.

The images are pastiche, but not parody—each slide exaggerates the moon’s symbolic vocabulary just enough to reveal its conceptual depth without collapsing into irony. The kitsch is neutralized by the narrative contexts the images create, forming a unified ritualistic cycle.

This cycle is an artistic invocation of my Universal Core Theory, which asserts that everything in existence is self-aware, thinking, and eternally recurring as a concept across infinite universal contexts.

Thus the Moon in these works is not merely a symbol—it is a local natural god, a transcendental structure, a consciousness that affects life and thought on Earth.

The Sun, Moon, Earth, and elements are creator-beings, capable of fulfilling wishes, provided one communicates truthfully and without interference.

When I was a little kid, in the old land, I performed my first moon ritual—wandering alone under Luna’s witness, sealing a vow of identity—and this anchors the emotional core of this collection. That moment was the first articulation of what my theory would later formalize: “the entire Universe is thinking… existence is not a stage but a mind.”

These images are the artifacted continuation of that vow, a magificium born from innocent creative sacrifice. By crafting each slide manually in PowerPoint, I assert authenticity and reject the paranoia of AI-generated imagery.

The Moon, in its ancient symbolic richness—feminine, cyclical, silver, deceptive, resurrective, protective—becomes the central thinking entity of this ritual. The collection reclaims these archetypes and reinterprets them through my theory: the Moon as a concept that appears once, reappears infinitely, and ultimately transcends into Almighty God.

The series is therefore both aesthetic and metaphysical:
a visual liturgy, a conceptual invocation, and a personal remembrance of the moment I recognized Luna—and in her, recognized myself.