Description
This plate documents the first major geometric manipulation of the primary module of the Bass Clef Nightingale Choir study: The 90-Degree Phase Transition. By rotating the Bass Clef to the left, the study triggers a shift from biological morphology to psychological resonance. In this orientation, the glyph creates a “superposition of states,” simultaneously reading as a widening eye, a recoiling torso, and a screaming mouth. This figure is cataloged as a naturally occurring “MouthEye”—a unified concept of sensory distress. It is designated as a “Weaponized Glyph” due to its ability to bypass linguistic processing and trigger an immediate, pre-conceptual anxiety in the viewer.
Tags: Black and White
