Description
This plate documents the isolation of the primary module used in the Bass Clef Nightingale Choir study. It presents the “Morphology of the Bass Clef” by executing the “Severing of the Strings”—the removal of the musical staff. By stripping the symbol of its utilitarian context, the form is deconstructed into three anatomical elements: the weighted body (“The Comma”) and the floating spheres. This plate serves as the control group for the study, demonstrating the latent pareidolia inherent in the shape before tiling commences. It identifies the solitary figure as a “sleeping embryo,” containing the potential for the auricular and facial forms that emerge in later permutations.
Tags: Black and White
